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  • -19%

    &tradition Hoof table SW1 by Samuel Wilkinson black lacquered oak

    0 out of 5

    HOOF SW1

    ÔThe main inspiration for Samuel WilkinsonÕs Hoof table derives from the feet which are sharpened at the ends producing a striking yet functional detail. The word ÔhoofÕ originates from the protective part of the feet of ungulate animals. In contrast to most tables, the leg ends of Hoof are left in natural wood to avoid the paint from chipping off from being either kicked or knocked when cleaning. The foot detail is created by reversing the usual manufacturing process. Most furniture that have a painted section and a natural part are initially assembled, then masked off, and painted. Hoof stands out by being painted first and then trimmed back to reveal the natural grain. The table has emerged from continuous exploration and development of production techniques to create a fresh aesthetic. Another detail that stands out when you experience the table is the soft rolled edge. The fine edge is created from the soft chamfer being on the top and bottom. This also gives the tables a tactile feel and clearly shows that the tables are made from solid wood. & much of WilkinsonÕs design carry references to nature and the beautiful, unimaginable creations found in the scenery.

    50cm / 90cm

    kr 3.450,00 kr 2.795,00
  • -19%

    &tradition Hoof table SW1 by Samuel Wilkinson smoked oak

    0 out of 5

    HOOF SW1

    ÔThe main inspiration for Samuel WilkinsonÕs Hoof table derives from the feet which are sharpened at the ends producing a striking yet functional detail. The word ÔhoofÕ originates from the protective part of the feet of ungulate animals. In contrast to most tables, the leg ends of Hoof are left in natural wood to avoid the paint from chipping off from being either kicked or knocked when cleaning. The foot detail is created by reversing the usual manufacturing process. Most furniture that have a painted section and a natural part are initially assembled, then masked off, and painted. Hoof stands out by being painted first and then trimmed back to reveal the natural grain. The table has emerged from continuous exploration and development of production techniques to create a fresh aesthetic. Another detail that stands out when you experience the table is the soft rolled edge. The fine edge is created from the soft chamfer being on the top and bottom. This also gives the tables a tactile feel and clearly shows that the tables are made from solid wood. & much of WilkinsonÕs design carry references to nature and the beautiful, unimaginable creations found in the scenery.

    50cm / 90cm

    kr 3.450,00 kr 2.795,00
  • -19%

    &tradition Hoof table SW1 by Samuel Wilkinson white oiled oak

    0 out of 5

    HOOF SW1

    ÔThe main inspiration for Samuel WilkinsonÕs Hoof table derives from the feet which are sharpened at the ends producing a striking yet functional detail. The word ÔhoofÕ originates from the protective part of the feet of ungulate animals. In contrast to most tables, the leg ends of Hoof are left in natural wood to avoid the paint from chipping off from being either kicked or knocked when cleaning. The foot detail is created by reversing the usual manufacturing process. Most furniture that have a painted section and a natural part are initially assembled, then masked off, and painted. Hoof stands out by being painted first and then trimmed back to reveal the natural grain. The table has emerged from continuous exploration and development of production techniques to create a fresh aesthetic. Another detail that stands out when you experience the table is the soft rolled edge. The fine edge is created from the soft chamfer being on the top and bottom. This also gives the tables a tactile feel and clearly shows that the tables are made from solid wood. & much of WilkinsonÕs design carry references to nature and the beautiful, unimaginable creations found in the scenery.

    50cm / 90cm

    kr 3.450,00 kr 2.795,00
  • -22%

    &tradition Hoof table SW2 by Samuel Wilkinson black lacquered oak

    0 out of 5

    HOOF SW2

    ‘The main inspiration for Samuel Wilkinson’s Hoof table derives from the feet which are sharpened at the ends producing a striking yet functional detail. The word ‘hoof’ originates from the protective part of the feet of ungulate animals. In contrast to most tables, the leg ends of Hoof are left in natural wood to avoid the paint from chipping off from being either kicked or knocked when cleaning. The foot detail is created by reversing the usual manufacturing process. Most furniture that have a painted section and a natural part are initially assembled, then masked off, and painted. Hoof stands out by being painted first and then trimmed back to reveal the natural grain. The table has emerged from continuous exploration and development of production techniques to create a fresh aesthetic. Another detail that stands out when you experience the table is the soft rolled edge. The fine edge is created from the soft chamfer being on the top and bottom. This also gives the tables a tactile feel and clearly shows that the tables are made from solid wood. & much of Wilkinson’s design carry references to nature and the beautiful, unimaginable creations found in the scenery.

    Ø: 90cm/35.4in x H: 40cm/15.7in.

    kr 5.115,00 kr 3.995,00
  • -22%

    &tradition Hoof table SW2 by Samuel Wilkinson smoked oak

    0 out of 5

    HOOF SW2

    ‘The main inspiration for Samuel Wilkinson’s Hoof table derives from the feet which are sharpened at the ends producing a striking yet functional detail. The word ‘hoof’ originates from the protective part of the feet of ungulate animals. In contrast to most tables, the leg ends of Hoof are left in natural wood to avoid the paint from chipping off from being either kicked or knocked when cleaning. The foot detail is created by reversing the usual manufacturing process. Most furniture that have a painted section and a natural part are initially assembled, then masked off, and painted. Hoof stands out by being painted first and then trimmed back to reveal the natural grain. The table has emerged from continuous exploration and development of production techniques to create a fresh aesthetic. Another detail that stands out when you experience the table is the soft rolled edge. The fine edge is created from the soft chamfer being on the top and bottom. This also gives the tables a tactile feel and clearly shows that the tables are made from solid wood. & much of Wilkinson’s design carry references to nature and the beautiful, unimaginable creations found in the scenery.

    Ø: 90cm/35.4in x H: 40cm/15.7in.

    kr 5.115,00 kr 3.995,00
  • -22%

    &tradition Hoof table SW2 by Samuel Wilkinson white oiled oak

    0 out of 5

    HOOF SW2

    ‘The main inspiration for Samuel Wilkinson’s Hoof table derives from the feet which are sharpened at the ends producing a striking yet functional detail. The word ‘hoof’ originates from the protective part of the feet of ungulate animals. In contrast to most tables, the leg ends of Hoof are left in natural wood to avoid the paint from chipping off from being either kicked or knocked when cleaning. The foot detail is created by reversing the usual manufacturing process. Most furniture that have a painted section and a natural part are initially assembled, then masked off, and painted. Hoof stands out by being painted first and then trimmed back to reveal the natural grain. The table has emerged from continuous exploration and development of production techniques to create a fresh aesthetic. Another detail that stands out when you experience the table is the soft rolled edge. The fine edge is created from the soft chamfer being on the top and bottom. This also gives the tables a tactile feel and clearly shows that the tables are made from solid wood. & much of Wilkinson’s design carry references to nature and the beautiful, unimaginable creations found in the scenery.

    Ø: 90cm/35.4in x H: 40cm/15.7in.

    kr 5.115,00 kr 3.995,00
  • &tradition In between chair SK1 black stained ash

    0 out of 5

    IN BETWEEN SK1

    BY SAMI KALLIO
    2013

    The interplay between positive and negative space is central to in Between, Sami Kallio’s chair design for &tradition. Its back and side panels provide
a concrete shape and support, but forms are created equally by the gaps in between them. Kallio’s expertise in traditional woodworking craftsmanship is evident in the chair. In Between is produced using two classical techniques; compression molding (making it light and thin, yet strong) and woodturning (a technique that uses a lathe to achieve greater detail). Sami Kallio, with his solid grounding in the traditional woodworking techniques of Scandinavia and his eye for ingenious detail, has proven to be the ideal candidate to design the first wooden chair in &tradition’s stable. The upholstered seat is the perfect addition to the wooden chair: it embraces modern lifestyles and long, cosy dinners around the dining table, without compromising the chair’s light and elegant expression.

     

    Materials Solid wood and formpressed veneer.
The chair also comes with a full upholstered seat.
    Dimensions (cm/in) H: 77cm/30.3in, W: 58cm/22.8in, D: 54cm/21.2in. Armrest height: 70cm/27.6in. Seating height: 45cm/17.7in.
    Colours White oiled oak.
Smoked oiled oak.
Black stained ash (RAL 9005).
    Weight (kg) 10.00 kg.
    Production The legs and the armrest are turned from solid oak or ash and the seat and side panels are formpressed from oak or ash veneer.
    Environment Indoor
    kr 3.395,00
  • &tradition In between chair SK1 smoked oiled oak

    0 out of 5

    IN BETWEEN SK1

    BY SAMI KALLIO
    2013

    The interplay between positive and negative space is central to in Between, Sami Kallio’s chair design for &tradition. Its back and side panels provide
a concrete shape and support, but forms are created equally by the gaps in between them. Kallio’s expertise in traditional woodworking craftsmanship is evident in the chair. In Between is produced using two classical techniques; compression molding (making it light and thin, yet strong) and woodturning (a technique that uses a lathe to achieve greater detail). Sami Kallio, with his solid grounding in the traditional woodworking techniques of Scandinavia and his eye for ingenious detail, has proven to be the ideal candidate to design the first wooden chair in &tradition’s stable. The upholstered seat is the perfect addition to the wooden chair: it embraces modern lifestyles and long, cosy dinners around the dining table, without compromising the chair’s light and elegant expression.

     

    Materials Solid wood and formpressed veneer.
The chair also comes with a full upholstered seat.
    Dimensions (cm/in) H: 77cm/30.3in, W: 58cm/22.8in, D: 54cm/21.2in. Armrest height: 70cm/27.6in. Seating height: 45cm/17.7in.
    Colours White oiled oak.
Smoked oiled oak.
Black stained ash (RAL 9005).
    Weight (kg) 10.00 kg.
    Production The legs and the armrest are turned from solid oak or ash and the seat and side panels are formpressed from oak or ash veneer.
    Environment Indoor
    kr 3.395,00
  • &tradition In between chair SK1 white oak

    0 out of 5

    IN BETWEEN SK1

    BY SAMI KALLIO
    2013

    The interplay between positive and negative space is central to in Between, Sami Kallio’s chair design for &tradition. Its back and side panels provide
a concrete shape and support, but forms are created equally by the gaps in between them. Kallio’s expertise in traditional woodworking craftsmanship is evident in the chair. In Between is produced using two classical techniques; compression molding (making it light and thin, yet strong) and woodturning (a technique that uses a lathe to achieve greater detail). Sami Kallio, with his solid grounding in the traditional woodworking techniques of Scandinavia and his eye for ingenious detail, has proven to be the ideal candidate to design the first wooden chair in &tradition’s stable. The upholstered seat is the perfect addition to the wooden chair: it embraces modern lifestyles and long, cosy dinners around the dining table, without compromising the chair’s light and elegant expression.

     

    Materials Solid wood and formpressed veneer.
The chair also comes with a full upholstered seat.
    Dimensions (cm/in) H: 77cm/30.3in, W: 58cm/22.8in, D: 54cm/21.2in. Armrest height: 70cm/27.6in. Seating height: 45cm/17.7in.
    Colours White oiled oak.
Smoked oiled oak.
Black stained ash (RAL 9005).
    Weight (kg) 10.00 kg.
    Production The legs and the armrest are turned from solid oak or ash and the seat and side panels are formpressed from oak or ash veneer.
    Environment Indoor
    kr 3.395,00
  • &tradition In between SK3 table smoked oiled oak ø90cm

    0 out of 5

    IN BETWEEN SK3

    BY SAMI KALLIO
    2014

    The In Between chair was the first chair to be added to the &tradition stable of furniture and Kallio has reinterpreted certain aspects of the chair in the creation of the table. The curvature of the circular table is for example reminiscent of the negative space in the form of the chair’s backrest. Similarly the angles of the legs of the table reflect the angles of the chair legs. The table legs were created using woodturning, a traditional technique that uses a lathe to shape wood. For &tradition a connection to the past is an essential component for any item in the collection. “Wood turning is a result of my love for Scandinavian heritage and traditional wood crafting,” says Kallio,“there is a satisfaction that comes from using old techniques.” The materials used for the table further solidify a link to the past. The solid oak used is a sturdy, reliable wood that is steeped in Scandinavian heritage. “Oak is a good long-lasting material that people can easily relate to,” says Kallio. Although some of the manufacturing processes are traditional, the table still comes disassembled as a flat-pack, addressing ease of transport in a modern world. Furthermore, the shape of the table has been chosen to address issues within modern interiors. Its round shape means it must be brought away from walls, therefore taking an active role in any room. The circular form of the table also means that interaction when sat at the table is a more intimate and egalitarian affair.

    Materials Solid oak
    Dimensions (cm/in) Ø: 90cm/35.4in, H: 73cm/28.7in. (The table also comes in Ø: 120cm)
    Colours White oiled oak.
Smoked oiled oak.
Black stained oak (RAL 9005).
    Weight (kg) 20.00 kg.
    Production The In Between table is built from solid oak and treated with either lacquer or oil.
    Environment Indoor
    kr 7.930,00
  • &tradition In between SK3 table stained black oak ø90cm

    0 out of 5

    IN BETWEEN SK3

    BY SAMI KALLIO
    2014

    The In Between chair was the first chair to be added to the &tradition stable of furniture and Kallio has reinterpreted certain aspects of the chair in the creation of the table. The curvature of the circular table is for example reminiscent of the negative space in the form of the chair’s backrest. Similarly the angles of the legs of the table reflect the angles of the chair legs. The table legs were created using woodturning, a traditional technique that uses a lathe to shape wood. For &tradition a connection to the past is an essential component for any item in the collection. “Wood turning is a result of my love for Scandinavian heritage and traditional wood crafting,” says Kallio,“there is a satisfaction that comes from using old techniques.” The materials used for the table further solidify a link to the past. The solid oak used is a sturdy, reliable wood that is steeped in Scandinavian heritage. “Oak is a good long-lasting material that people can easily relate to,” says Kallio. Although some of the manufacturing processes are traditional, the table still comes disassembled as a flat-pack, addressing ease of transport in a modern world. Furthermore, the shape of the table has been chosen to address issues within modern interiors. Its round shape means it must be brought away from walls, therefore taking an active role in any room. The circular form of the table also means that interaction when sat at the table is a more intimate and egalitarian affair.

    Materials Solid oak
    Dimensions (cm/in) Ø: 90cm/35.4in, H: 73cm/28.7in. (The table also comes in Ø: 120cm)
    Colours White oiled oak.
Smoked oiled oak.
Black stained oak (RAL 9005).
    Weight (kg) 20.00 kg.
    Production The In Between table is built from solid oak and treated with either lacquer or oil.
    Environment Indoor
    kr 7.930,00
  • &tradition In between SK3 table white oiled oak ø90cm

    0 out of 5

    IN BETWEEN SK3

    BY SAMI KALLIO
    2014

    The In Between chair was the first chair to be added to the &tradition stable of furniture and Kallio has reinterpreted certain aspects of the chair in the creation of the table. The curvature of the circular table is for example reminiscent of the negative space in the form of the chair’s backrest. Similarly the angles of the legs of the table reflect the angles of the chair legs. The table legs were created using woodturning, a traditional technique that uses a lathe to shape wood. For &tradition a connection to the past is an essential component for any item in the collection. “Wood turning is a result of my love for Scandinavian heritage and traditional wood crafting,” says Kallio,“there is a satisfaction that comes from using old techniques.” The materials used for the table further solidify a link to the past. The solid oak used is a sturdy, reliable wood that is steeped in Scandinavian heritage. “Oak is a good long-lasting material that people can easily relate to,” says Kallio. Although some of the manufacturing processes are traditional, the table still comes disassembled as a flat-pack, addressing ease of transport in a modern world. Furthermore, the shape of the table has been chosen to address issues within modern interiors. Its round shape means it must be brought away from walls, therefore taking an active role in any room. The circular form of the table also means that interaction when sat at the table is a more intimate and egalitarian affair.

    Materials Solid oak
    Dimensions (cm/in) Ø: 90cm/35.4in, H: 73cm/28.7in. (The table also comes in Ø: 120cm)
    Colours White oiled oak.
Smoked oiled oak.
Black stained oak (RAL 9005).
    Weight (kg) 20.00 kg.
    Production The In Between table is built from solid oak and treated with either lacquer or oil.
    Environment Indoor
    kr 7.930,00
  • &tradition Little Petra VB1

    0 out of 5

    LITTLE PETRA VB1

    BY VIGGO BOESEN
    2018

    Initially introduced back in 1938, Little Petra won instant praise at the Copenhagen Cabinetmakers Guild Exhibition, subsequently winning awards at exhibits in New York and Berlin. It’s one of just a few designs by architect Viggo Boesen, who became associated with Denmark’s signature design aesthetic in the 1930s called funkis style. Distinguished by a softer, more abundant, organic aesthetic that challenged the minimalistic approach of Bauhaus.

    Named after Boesen’s mother-in-law, Little Petra is indeed surprisingly petite, able to fit into all kinds of spaces, interiors and environments. Low to the ground, open and embracing, it embodies the essence of a lounge chair, allowing for all kinds of seating positions in any cosy setting imaginable. A lot of work has gone into ensuring the utmost comfort, from the seat to the upholstery. Respecting Boesen’s love of natural materials, the legs of the chair have been crafted in oak or walnut. The result is an endearing lounge chair that beckons you to stay.

     

    kr 38.695,00
  • &tradition Pavilion AV1 by Anderssen & Voll black lacquered oak

    0 out of 5

    PAVILION AV1 + AV3

    Located on the castle grounds of Copenhagen’s Kastellet overlooking the waterfront promenade that is home to the Little Mermaid, The Langelinie Pavilion stands with a resilient spirit. The first Pavilion was built in 1885. The second was built in 1902 for the Royal Danish Yacht Club but was sadly destroyed during World War II. The current Pavilion was built 1958 by architect couple Eva and Niels Koppel in homage to modernism. Echoing its own ability to endure is the Pavilion chair by Andersen & Voll. Here the challenge was to design a stackable chair used for mass seating in this iconic, multi-purpose venue, the Langelinie Pavilion. Torbjørn Anderssen and Espen Voll wanted to link early modernism with new modernism. “Often tube chairs are constructed at fixed angles,” notes Anderssen. “We wanted a freer form of expression and explored the idea of bent tubing teamed with bent plywood.” “The Pavilion chair has an airy feeling, with slim arms and legs that give it a light appearance,” explains Voll. “A softer aesthetic in a curvaceous silhouette that’s barely there.” The effect is lyrical, graceful and poetic. Almost like a tied rope that has come undone.

    Dimensions (cm/in) H: 76cm/29.9in, D: 50cm/19.7in, W: 52.5cm/20.7in Seating height: 46cm/18.1in
    kr 3.250,00
  • &tradition Pavilion AV1 by Anderssen & Voll lacquered oak

    0 out of 5

    PAVILION AV1 + AV3

    Located on the castle grounds of Copenhagen’s Kastellet overlooking the waterfront promenade that is home to the Little Mermaid, The Langelinie Pavilion stands with a resilient spirit. The first Pavilion was built in 1885. The second was built in 1902 for the Royal Danish Yacht Club but was sadly destroyed during World War II. The current Pavilion was built 1958 by architect couple Eva and Niels Koppel in homage to modernism. Echoing its own ability to endure is the Pavilion chair by Andersen & Voll. Here the challenge was to design a stackable chair used for mass seating in this iconic, multi-purpose venue, the Langelinie Pavilion. Torbjørn Anderssen and Espen Voll wanted to link early modernism with new modernism. “Often tube chairs are constructed at fixed angles,” notes Anderssen. “We wanted a freer form of expression and explored the idea of bent tubing teamed with bent plywood.” “The Pavilion chair has an airy feeling, with slim arms and legs that give it a light appearance,” explains Voll. “A softer aesthetic in a curvaceous silhouette that’s barely there.” The effect is lyrical, graceful and poetic. Almost like a tied rope that has come undone.

    Dimensions (cm/in) H: 76cm/29.9in, D: 50cm/19.7in, W: 52.5cm/20.7in Seating height: 46cm/18.1in
    kr 3.250,00
  • &tradition Pavilion AV1 by Anderssen & Voll lacquered walnut

    0 out of 5

    PAVILION AV1 + AV3

    Located on the castle grounds of Copenhagen’s Kastellet overlooking the waterfront promenade that is home to the Little Mermaid, The Langelinie Pavilion stands with a resilient spirit. The first Pavilion was built in 1885. The second was built in 1902 for the Royal Danish Yacht Club but was sadly destroyed during World War II. The current Pavilion was built 1958 by architect couple Eva and Niels Koppel in homage to modernism. Echoing its own ability to endure is the Pavilion chair by Andersen & Voll. Here the challenge was to design a stackable chair used for mass seating in this iconic, multi-purpose venue, the Langelinie Pavilion. Torbjørn Anderssen and Espen Voll wanted to link early modernism with new modernism. “Often tube chairs are constructed at fixed angles,” notes Anderssen. “We wanted a freer form of expression and explored the idea of bent tubing teamed with bent plywood.” “The Pavilion chair has an airy feeling, with slim arms and legs that give it a light appearance,” explains Voll. “A softer aesthetic in a curvaceous silhouette that’s barely there.” The effect is lyrical, graceful and poetic. Almost like a tied rope that has come undone.

    Dimensions (cm/in) H: 76cm/29.9in, D: 50cm/19.7in, W: 52.5cm/20.7in Seating height: 46cm/18.1in
    kr 3.250,00
  • &tradition Pavilion AV2 by Anderssen & Voll black lacquered oak

    0 out of 5

    PAVILION AV2 + AV4

    Located on the castle grounds of Copenhagen’s Kastellet overlooking the waterfront promenade that is home to the Little Mermaid, The Langelinie Pavilion stands with a resilient spirit. The first Pavilion was built in 1885. The second was built in 1902 for the Royal Danish Yacht Club but was sadly destroyed during World War II. The current Pavilion was built 1958 by architect couple Eva and Niels Koppel in homage to modernism. Echoing its own ability to endure is the Pavilion chair by Andersen & Voll. Here the challenge was to design a stackable chair used for mass seating in this iconic, multi-purpose venue, the Langelinie Pavilion. Torbjørn Anderssen and Espen Voll wanted to link early modernism with new modernism. “Often tube chairs are constructed at fixed angles,” notes Anderssen. “We wanted a freer form of expression and explored the idea of bent tubing teamed with bent plywood.” “The Pavilion chair has an airy feeling, with slim arms and legs that give it a light appearance,” explains Voll. “A softer aesthetic in a curvaceous silhouette that’s barely there.” The effect is lyrical, graceful and poetic. Almost like a tied rope that has come undone.

    Dimensions (cm/in) H: 76cm/29.9in, D: 52cm/20.5in, W: 56cm/22.1in
    kr 3.450,00
  • &tradition Pavilion AV2 by Anderssen & Voll lacquered oak

    0 out of 5

    PAVILION AV2 + AV4

    Located on the castle grounds of Copenhagen’s Kastellet overlooking the waterfront promenade that is home to the Little Mermaid, The Langelinie Pavilion stands with a resilient spirit. The first Pavilion was built in 1885. The second was built in 1902 for the Royal Danish Yacht Club but was sadly destroyed during World War II. The current Pavilion was built 1958 by architect couple Eva and Niels Koppel in homage to modernism. Echoing its own ability to endure is the Pavilion chair by Andersen & Voll. Here the challenge was to design a stackable chair used for mass seating in this iconic, multi-purpose venue, the Langelinie Pavilion. Torbjørn Anderssen and Espen Voll wanted to link early modernism with new modernism. “Often tube chairs are constructed at fixed angles,” notes Anderssen. “We wanted a freer form of expression and explored the idea of bent tubing teamed with bent plywood.” “The Pavilion chair has an airy feeling, with slim arms and legs that give it a light appearance,” explains Voll. “A softer aesthetic in a curvaceous silhouette that’s barely there.” The effect is lyrical, graceful and poetic. Almost like a tied rope that has come undone.

    Dimensions (cm/in) H: 76cm/29.9in, D: 52cm/20.5in, W: 56cm/22.1in
    kr 3.450,00
  • &tradition Pavilion AV2 by Anderssen & Voll lacquered walnut

    0 out of 5

    PAVILION AV2 + AV4

    Located on the castle grounds of Copenhagen’s Kastellet overlooking the waterfront promenade that is home to the Little Mermaid, The Langelinie Pavilion stands with a resilient spirit. The first Pavilion was built in 1885. The second was built in 1902 for the Royal Danish Yacht Club but was sadly destroyed during World War II. The current Pavilion was built 1958 by architect couple Eva and Niels Koppel in homage to modernism. Echoing its own ability to endure is the Pavilion chair by Andersen & Voll. Here the challenge was to design a stackable chair used for mass seating in this iconic, multi-purpose venue, the Langelinie Pavilion. Torbjørn Anderssen and Espen Voll wanted to link early modernism with new modernism. “Often tube chairs are constructed at fixed angles,” notes Anderssen. “We wanted a freer form of expression and explored the idea of bent tubing teamed with bent plywood.” “The Pavilion chair has an airy feeling, with slim arms and legs that give it a light appearance,” explains Voll. “A softer aesthetic in a curvaceous silhouette that’s barely there.” The effect is lyrical, graceful and poetic. Almost like a tied rope that has come undone.

    Dimensions (cm/in) H: 76cm/29.9in, D: 52cm/20.5in, W: 56cm/22.1in
    kr 3.450,00
  • Be Pure Home Form chair ash

    0 out of 5

    77,5x50x52 (h x b x d)

    Material: ash veneer

    kr 1.999,00
  • Bean 3,5-seter sofa black

    0 out of 5

    Bean 3.5 seater sofa black
    With this super sturdy sofa in Recycle leather you have a real eye-catcher at home! The seat height is 46 cm, seat width 182 cm, seat depth 66 cm and the height of the armrest is 73 cm. The width of the armrest is 27 cm. This gives the sofa a beautiful body. The sofa is spacious, offers plenty of seating and features a sturdy fabric Recycled leather. What is Recycled Leather? When cutting the patterns of the hides and skins, factories are left with remnants. These remnants are crushed and we make a new fabric out of this: Recycled leather. Recycled leather consists of 70% genuine leather and 30% polyester. The fabric is made up of two materials: the underlayer consists of recycled genuine leather, which gives it its natural and unique appearance. The leather is protected by a polyester coating which prevents unevenness and makes it a sturdy combination fabric. Maintenance: Recycled leather cannot be treated with grease for leather. Recycled leather can be maintained as follows: a damp cloth can be used to clean the fabric. In case of stains, you can use a neutral soap solution to remove the stains. After removing the stain, wipe the fabric with a damp cloth. This bench is delivered in separate elements. The elements are easy to connect to each other by means of brackets.

    kr 17.999,00
  • Bean 3,5-seter sofa cognac

    0 out of 5

    Bean 3.5 seater sofa cognac
    With this super sturdy sofa in Recycle leather you have a real eye-catcher at home! The seat height is 46 cm, seat width 182 cm, seat depth 66 cm and the height of the armrest is 73 cm. The width of the armrest is 27 cm. This gives the sofa a beautiful body. The sofa is spacious, offers plenty of seating and features a sturdy fabric Recycled leather. What is Recycled Leather? When cutting the patterns of the hides and skins, factories are left with remnants. These remnants are crushed and we make a new fabric out of this: Recycled leather. Recycled leather consists of 70% genuine leather and 30% polyester. The fabric is made up of two materials: the underlayer consists of recycled genuine leather, which gives it its natural and unique appearance. The leather is protected by a polyester coating which prevents unevenness and makes it a sturdy combination fabric. Maintenance: Recycled leather cannot be treated with grease for leather. Recycled leather can be maintained as follows: a damp cloth can be used to clean the fabric. In case of stains, you can use a neutral soap solution to remove the stains. After removing the stain, wipe the fabric with a damp cloth. This bench is delivered in separate elements. The elements are easy to connect to each other by means of brackets.

    kr 17.999,00
  • BePureHome Rodeo velvet dark hunter lounge chair

    0 out of 5
    85x105x86 (h x b x d)
    kr 7.999,00
  • BePureHome Rodeo velvet rust stol

    0 out of 5
    85x105x86 (h x b x d)
    kr 7.999,00