“In typical Jaime Hayon style, these Paper Lanterns challenge convention,” notes &tradition Brand Manager Martin Kornbek Hansen. “Seen in an ultra light pendant lamp of rice paper, echoing ancient lanterns from Asia – reinvented in a modern aesthetic.”
Dating back centuries, paper lanterns have featured in Asia amongst the privileged and the poor, where different colours, shapes and sizes connote different meanings. Here Hayon has dispensed with cultural formalities to create a series of lanterns all in white. Hand crafted with rice paper merging various sizes and shapes together.
“Lamps play such an important role in people’s lives,” explains Hayon. “For some cultures, they chase away the darkness by bringing hope. I’ve tried to keep this emotional angle about light – in a lamp that also appears light. By making the bottom part of the lamp open, the idea is to bring even more illumination to people everywhere in the world.”
The Paper Lantern series is comprised of three different versions in ivory white rice paper with black stained oak accents in sizes from 46 cm in diameter to 70 cm. Each weighing only 1 kilo, they hang delicately in any indoor setting. Living proof that when East and West meet, the past becomes the present in a poetic expression of both.
Category
Lighting
Materials
Ivory white paper, black stained oak, 4 meter black fabric cord.
Dimensions (cm/in)
Ø: 70cm/ 27.6 in, H: 67cm/ 26.4 in.
Colours
Ivory white paper with black stained oak.
Technical specs
E27 2 x Max 60 Watt / 220-240V – 50Hz. / 12 Watt CFL
Located on the castle grounds of Copenhagen’s Kastellet overlooking the waterfront promenade that is home to the Little Mermaid, The Langelinie Pavilion stands with a resilient spirit. The first Pavilion was built in 1885. The second was built in 1902 for the Royal Danish Yacht Club but was sadly destroyed during World War II. The current Pavilion was built 1958 by architect couple Eva and Niels Koppel in homage to modernism. Echoing its own ability to endure is the Pavilion chair by Andersen & Voll. Here the challenge was to design a stackable chair used for mass seating in this iconic, multi-purpose venue, the Langelinie Pavilion. Torbjørn Anderssen and Espen Voll wanted to link early modernism with new modernism. “Often tube chairs are constructed at fixed angles,” notes Anderssen. “We wanted a freer form of expression and explored the idea of bent tubing teamed with bent plywood.” “The Pavilion chair has an airy feeling, with slim arms and legs that give it a light appearance,” explains Voll. “A softer aesthetic in a curvaceous silhouette that’s barely there.” The effect is lyrical, graceful and poetic. Almost like a tied rope that has come undone.
Dimensions (cm/in)
H: 76cm/29.9in, D: 52cm/20.5in, W: 56cm/22.1in
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The In Between chair was the first chair to be added to the &tradition stable of furniture and Kallio has reinterpreted certain aspects of the chair in the creation of the table. The curvature of the circular table is for example reminiscent of the negative space in the form of the chair’s backrest. Similarly the angles of the legs of the table reflect the angles of the chair legs. The table legs were created using woodturning, a traditional technique that uses a lathe to shape wood. For &tradition a connection to the past is an essential component for any item in the collection. “Wood turning is a result of my love for Scandinavian heritage and traditional wood crafting,” says Kallio,“there is a satisfaction that comes from using old techniques.” The materials used for the table further solidify a link to the past. The solid oak used is a sturdy, reliable wood that is steeped in Scandinavian heritage. “Oak is a good long-lasting material that people can easily relate to,” says Kallio. Although some of the manufacturing processes are traditional, the table still comes disassembled as a flat-pack, addressing ease of transport in a modern world. Furthermore, the shape of the table has been chosen to address issues within modern interiors. Its round shape means it must be brought away from walls, therefore taking an active role in any room. The circular form of the table also means that interaction when sat at the table is a more intimate and egalitarian affair. –
Materials
Solid oak
Dimensions (cm/in)
Ø: 90cm/35.4in, H: 73cm/28.7in. (The table also comes in Ø: 120cm)
Colours
White oiled oak. Smoked oiled oak. Black stained oak (RAL 9005).
Weight (kg)
20.00 kg.
Production
The In Between table is built from solid oak and treated with either lacquer or oil.
Environment
Indoor
Bestillingsvare! Ta kontakt med butikken for leveringstid.
Located on the castle grounds of Copenhagen’s Kastellet overlooking the waterfront promenade that is home to the Little Mermaid, The Langelinie Pavilion stands with a resilient spirit. The first Pavilion was built in 1885. The second was built in 1902 for the Royal Danish Yacht Club but was sadly destroyed during World War II. The current Pavilion was built 1958 by architect couple Eva and Niels Koppel in homage to modernism. Echoing its own ability to endure is the Pavilion chair by Andersen & Voll. Here the challenge was to design a stackable chair used for mass seating in this iconic, multi-purpose venue, the Langelinie Pavilion. Torbjørn Anderssen and Espen Voll wanted to link early modernism with new modernism. “Often tube chairs are constructed at fixed angles,” notes Anderssen. “We wanted a freer form of expression and explored the idea of bent tubing teamed with bent plywood.” “The Pavilion chair has an airy feeling, with slim arms and legs that give it a light appearance,” explains Voll. “A softer aesthetic in a curvaceous silhouette that’s barely there.” The effect is lyrical, graceful and poetic. Almost like a tied rope that has come undone.
In a desire to design a table that blends into a space without taking up much space, Sami Kallio created the In Between Table. A partner to his In Between Chair, the legs of the table echo the same angle as the front legs of the chair. At the same time, the table’s slim silhouette and absence of ornamentation make it an ideal match for any chair – in any setting.
The In Between Table is a mix of traditional wood craftsmanship, involving compression moulding and woodturning, together with innovative veneer techniques. As such, it is an homage to Kallio’s Nordic heritage and training in woodmaking, as well as his modern, Scandinavian sense of simplicity.
As part of his “Between Gaps” series, Kallio set out to explore the correlation between an object and its surrounds. Exploring the interplay between positive and negative space. “My concept started from the outside inwards,” explains Kallio. “The table has no negative spaces, but it can be paired with any chair, in any timeframe in any space.”
“Kallio’s In Between Table is a stunning example of impeccable hand craftsmanship with natural materials, which we are proud to reflect in our stable of products,” says &tradition Brand Manager Martin Kornbek Hansen. “Kallio’s blending of both classic and contemporary techniques is something we truly value at &tradition. Along with his uncanny ability to design an object so simple, it exudes beauty.”
Clear lacquered oak, Smoked oiled oak, Black stained oak.
Technical specs
The In Between table is tested for strength, durability and safety according to EN 15373 Level 2 – General contract use
Weight (kg)
47kg
Production
The table top is made from a high quality MDF board with oak veneer on the top and edges. The legs ard made of solid wood involving a woodturning technique using a lathe to create the conical shape. Wood blocks are used to attach the legs to the table to make it morestable when mounted.
Environment
Indoor
Product type
Dining tables
Bestillingsvare! Ta kontakt med butikken for leveringstid.
The interplay between positive and negative space is central to in Between, Sami Kallio’s chair design for &tradition. Its back and side panels provide a concrete shape and support, but forms are created equally by the gaps in between them. Kallio’s expertise in traditional woodworking craftsmanship is evident in the chair. In Between is produced using two classical techniques; compression molding (making it light and thin, yet strong) and woodturning (a technique that uses a lathe to achieve greater detail). Sami Kallio, with his solid grounding in the traditional woodworking techniques of Scandinavia and his eye for ingenious detail, has proven to be the ideal candidate to design the first wooden chair in &tradition’s stable. The upholstered seat is the perfect addition to the wooden chair: it embraces modern lifestyles and long, cosy dinners around the dining table, without compromising the chair’s light and elegant expression. –
Materials
Solid wood and formpressed veneer. The chair also comes with a full upholstered seat.
The Flower Power movement was all about peace, love and harmony, driven by a generation who questioned rigid values in favour of personal freedom. Amidst missions to the moon and alternative lifestyles emerged a fascination with the future. Verner Panton captured the spirit of this era with his Flowerpot lamps. Two semi-circular spheres facing each other became the signature style for a series of lamps that went on to decorate private homes, interiors and exhibitions around the world. In a variety of psychedelic colours, patterns and combinations that became emblematic of the Flower Power movement. Panton was a pioneer in his avant-garde approach to geometric designs, vivid colours and immersive interiors. We’re pleased to keep his legacy alive with lamps that honour his vision of the future – in the present.
Materials Lacquered aluminium with 3 meter fabric cord.
Dimensions (cm/in) Ø: 50cm/19.7in, H: 36cm/14.2in
With the Bellevue Lamp, Danish architect and designer Arne Jacobsen embodies the minimalism of the Modernist Movement with the functionalism of Bauhaus. Viewed as the driving force behind Danish Modernism, Jacobsen’s preference for graceful lines and simple, organic forms are readily recognisable in the Bellevue Lamp.
The re-launch of this iconic lamp involves a return to the original Bellevue shape in three styles: the floor lamp, desk lamp and wall lamp. To enhance their appeal in a contemporary setting are new colours and a mix of materials: satin polished brass, black with brass, anthracite with brace and versions mixing ivory or grey beige with brass. –
Located on the castle grounds of Copenhagen’s Kastellet overlooking the waterfront promenade that is home to the Little Mermaid, The Langelinie Pavilion stands with a resilient spirit. The first Pavilion was built in 1885. The second was built in 1902 for the Royal Danish Yacht Club but was sadly destroyed during World War II. The current Pavilion was built 1958 by architect couple Eva and Niels Koppel in homage to modernism. Echoing its own ability to endure is the Pavilion chair by Andersen & Voll. Here the challenge was to design a stackable chair used for mass seating in this iconic, multi-purpose venue, the Langelinie Pavilion. Torbjørn Anderssen and Espen Voll wanted to link early modernism with new modernism. “Often tube chairs are constructed at fixed angles,” notes Anderssen. “We wanted a freer form of expression and explored the idea of bent tubing teamed with bent plywood.” “The Pavilion chair has an airy feeling, with slim arms and legs that give it a light appearance,” explains Voll. “A softer aesthetic in a curvaceous silhouette that’s barely there.” The effect is lyrical, graceful and poetic. Almost like a tied rope that has come undone.
At first glance, Lato resembles a sculpture, with its slim, oval or round table top balanced by an oval-shaped base. Striking, graphic and poetic, its purity of form is proof that simple is sophisticated. The initial inspiration for Lato started with the idea of a lollipop turned upside down. A classic shape from a candy most people recognise from childhood. But how do you turn a lollipop into a table? “Growing up on an island like Murano, I was surrounded by creativity,” explains Nichetto. “Artisans with an immense knowledge and love of materials, who I watched transform abstract concepts into concrete reality. With Lato, I wanted to keep the simplicity and streamline it into a timeless side table in a style that could easily be the centre of attention.”
Enjoy this stunning example of a sculpture that’s a side table – and vice versa.
Materials
Marble and steel
Dimensions (cm/in)
Ø: 50cm/15.7in, H: 45cm/19.7in.
Colours
Warm black & Emparador marble
Weight (kg)
19.50kg
Environment
Indoor
Product type
Coffee table
Bestillingsvare! Ta kontakt med butikken for leveringstid.
Located on the castle grounds of Copenhagen’s Kastellet overlooking the waterfront promenade that is home to the Little Mermaid, The Langelinie Pavilion stands with a resilient spirit. The first Pavilion was built in 1885. The second was built in 1902 for the Royal Danish Yacht Club but was sadly destroyed during World War II. The current Pavilion was built 1958 by architect couple Eva and Niels Koppel in homage to modernism. Echoing its own ability to endure is the Pavilion chair by Andersen & Voll. Here the challenge was to design a stackable chair used for mass seating in this iconic, multi-purpose venue, the Langelinie Pavilion. Torbjørn Anderssen and Espen Voll wanted to link early modernism with new modernism. “Often tube chairs are constructed at fixed angles,” notes Anderssen. “We wanted a freer form of expression and explored the idea of bent tubing teamed with bent plywood.” “The Pavilion chair has an airy feeling, with slim arms and legs that give it a light appearance,” explains Voll. “A softer aesthetic in a curvaceous silhouette that’s barely there.” The effect is lyrical, graceful and poetic. Almost like a tied rope that has come undone.
Omtaler
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