The Journey lamp is a lovely merging of two classic geometric shapes, the sphere and the rectangle. The round, opal glass shade is reminiscent of the moon, with a new dimmer feature to enhance your mood and sense of well-being.Journey is both a table lamp and a wall lamp, with subtle colour combinations that make it easy to place anywhere. There is the mirrored chrome base with a chrome dimmer for a monochromatic look. A matt black base with a brass dimmer. And a clay-toned base with a brass dimmer. Whether the moon is full or not, the intention is for you to enjoy the design and all the moods you can create.
Category
Lighting
Materials
Mouth-blown opal glass and steel
Dimensions (cm/in)
L: 26cm/10.2in, W: 18cm/7in, H: 24cm/9.4in
Colours
Mirror polishing, Black, Clay
Technical specs
4,8 Watt LED. The luminaire is energy class:A++-A. The built-in LED module cannot be replaced in this luminaire.
The Flower Power movement was all about peace, love and harmony, driven by a generation who questioned rigid values in favour of personal freedom. Amidst missions to the moon and alternative lifestyles emerged a fascination with the future. Verner Panton captured the spirit of this era with his Flowerpot lamps. Two semi-circular spheres facing each other became the signature style for a series of lamps that went on to decorate private homes, interiors and exhibitions around the world. In a variety of psychedelic colours, patterns and combinations that became emblematic of the Flower Power movement. Panton was a pioneer in his avant-garde approach to geometric designs, vivid colours and immersive interiors. We’re pleased to keep his legacy alive with lamps that honour his vision of the future – in the present.
Materials Lacquered aluminium with 3 meter fabric cord.
Dimensions (cm/in) Ø: 50cm/19.7in, H: 36cm/14.2in
Located on the castle grounds of Copenhagen’s Kastellet overlooking the waterfront promenade that is home to the Little Mermaid, The Langelinie Pavilion stands with a resilient spirit. The first Pavilion was built in 1885. The second was built in 1902 for the Royal Danish Yacht Club but was sadly destroyed during World War II. The current Pavilion was built 1958 by architect couple Eva and Niels Koppel in homage to modernism. Echoing its own ability to endure is the Pavilion chair by Andersen & Voll. Here the challenge was to design a stackable chair used for mass seating in this iconic, multi-purpose venue, the Langelinie Pavilion. Torbjørn Anderssen and Espen Voll wanted to link early modernism with new modernism. “Often tube chairs are constructed at fixed angles,” notes Anderssen. “We wanted a freer form of expression and explored the idea of bent tubing teamed with bent plywood.” “The Pavilion chair has an airy feeling, with slim arms and legs that give it a light appearance,” explains Voll. “A softer aesthetic in a curvaceous silhouette that’s barely there.” The effect is lyrical, graceful and poetic. Almost like a tied rope that has come undone.
Dimensions (cm/in)
H: 76cm/29.9in, D: 52cm/20.5in, W: 56cm/22.1in
Bestillingsvare! Ta kontakt med butikken for leveringstid.
At first glance, Lato resembles a sculpture, with its slim, oval or round table top balanced by an oval-shaped base. Striking, graphic and poetic, its purity of form is proof that simple is sophisticated. The initial inspiration for Lato started with the idea of a lollipop turned upside down. A classic shape from a candy most people recognise from childhood. But how do you turn a lollipop into a table? “Growing up on an island like Murano, I was surrounded by creativity,” explains Nichetto. “Artisans with an immense knowledge and love of materials, who I watched transform abstract concepts into concrete reality. With Lato, I wanted to keep the simplicity and streamline it into a timeless side table in a style that could easily be the centre of attention.”
Enjoy this stunning example of a sculpture that’s a side table – and vice versa.
Materials
Marble and steel
Dimensions (cm/in)
Ø: 50cm/15.7in, H: 45cm/19.7in.
Colours
Warm black & Emparador marble
Weight (kg)
19.50kg
Environment
Indoor
Product type
Coffee table
Bestillingsvare! Ta kontakt med butikken for leveringstid.
At first glance, Lato resembles a sculpture, with its slim, oval or round table top balanced by an oval-shaped base. Striking, graphic and poetic, its purity of form is proof that simple is sophisticated. The initial inspiration for Lato started with the idea of a lollipop turned upside down. A classic shape from a candy most people recognise from childhood. But how do you turn a lollipop into a table? “Growing up on an island like Murano, I was surrounded by creativity,” explains Nichetto. “Artisans with an immense knowledge and love of materials, who I watched transform abstract concepts into concrete reality. With Lato, I wanted to keep the simplicity and streamline it into a timeless side table in a style that could easily be the centre of attention.”
Enjoy this stunning example of a sculpture that’s a side table – and vice versa.
Materials
Marble and steel
Dimensions (cm/in)
Ø: 40cm/15.7in, H: 50cm/19.7in.
Colours
Warm black & Emparador marble
Weight (kg)
20.10kg
Environment
Indoor
Bestillingsvare! Ta kontakt med butikken for leveringstid.
Located on the castle grounds of Copenhagen’s Kastellet overlooking the waterfront promenade that is home to the Little Mermaid, The Langelinie Pavilion stands with a resilient spirit. The first Pavilion was built in 1885. The second was built in 1902 for the Royal Danish Yacht Club but was sadly destroyed during World War II. The current Pavilion was built 1958 by architect couple Eva and Niels Koppel in homage to modernism. Echoing its own ability to endure is the Pavilion chair by Andersen & Voll. Here the challenge was to design a stackable chair used for mass seating in this iconic, multi-purpose venue, the Langelinie Pavilion. Torbjørn Anderssen and Espen Voll wanted to link early modernism with new modernism. “Often tube chairs are constructed at fixed angles,” notes Anderssen. “We wanted a freer form of expression and explored the idea of bent tubing teamed with bent plywood.” “The Pavilion chair has an airy feeling, with slim arms and legs that give it a light appearance,” explains Voll. “A softer aesthetic in a curvaceous silhouette that’s barely there.” The effect is lyrical, graceful and poetic. Almost like a tied rope that has come undone.
At first glance, Lato resembles a sculpture, with its slim, oval or round table top balanced by an oval-shaped base. Striking, graphic and poetic, its purity of form is proof that simple is sophisticated. The initial inspiration for Lato started with the idea of a lollipop turned upside down. A classic shape from a candy most people recognise from childhood. But how do you turn a lollipop into a table? “Growing up on an island like Murano, I was surrounded by creativity,” explains Nichetto. “Artisans with an immense knowledge and love of materials, who I watched transform abstract concepts into concrete reality. With Lato, I wanted to keep the simplicity and streamline it into a timeless side table in a style that could easily be the centre of attention.”
Enjoy this stunning example of a sculpture that’s a side table – and vice versa.
Materials
Marble and steel
Dimensions (cm/in)
Ø: 50cm/15.7in, H: 45cm/19.7in.
Colours
Ivory white & Cream Diva marble.
Weight (kg)
19.50kg
Environment
Indoor
Product type
Coffee table
Bestillingsvare! Ta kontakt med butikken for leveringstid.
In a desire to design a table that blends into a space without taking up much space, Sami Kallio created the In Between Table. A partner to his In Between Chair, the legs of the table echo the same angle as the front legs of the chair. At the same time, the table’s slim silhouette and absence of ornamentation make it an ideal match for any chair – in any setting.
The In Between Table is a mix of traditional wood craftsmanship, involving compression moulding and woodturning, together with innovative veneer techniques. As such, it is an homage to Kallio’s Nordic heritage and training in woodmaking, as well as his modern, Scandinavian sense of simplicity.
As part of his “Between Gaps” series, Kallio set out to explore the correlation between an object and its surrounds. Exploring the interplay between positive and negative space. “My concept started from the outside inwards,” explains Kallio. “The table has no negative spaces, but it can be paired with any chair, in any timeframe in any space.”
“Kallio’s In Between Table is a stunning example of impeccable hand craftsmanship with natural materials, which we are proud to reflect in our stable of products,” says &tradition Brand Manager Martin Kornbek Hansen. “Kallio’s blending of both classic and contemporary techniques is something we truly value at &tradition. Along with his uncanny ability to design an object so simple, it exudes beauty.”
Clear lacquered oak, Smoked oiled oak, Black stained oak.
Technical specs
The In Between table is tested for strength, durability and safety according to EN 15373 Level 2 – General contract use
Weight (kg)
47kg
Production
The table top is made from a high quality MDF board with oak veneer on the top and edges. The legs ard made of solid wood involving a woodturning technique using a lathe to create the conical shape. Wood blocks are used to attach the legs to the table to make it morestable when mounted.
Environment
Indoor
Product type
Dining tables
Bestillingsvare! Ta kontakt med butikken for leveringstid.
Initially introduced back in 1938, Little Petra won instant praise at the Copenhagen Cabinetmakers Guild Exhibition, subsequently winning awards at exhibits in New York and Berlin. It’s one of just a few designs by architect Viggo Boesen, who became associated with Denmark’s signature design aesthetic in the 1930s called funkis style. Distinguished by a softer, more abundant, organic aesthetic that challenged the minimalistic approach of Bauhaus.
Named after Boesen’s mother-in-law, Little Petra is indeed surprisingly petite, able to fit into all kinds of spaces, interiors and environments. Low to the ground, open and embracing, it embodies the essence of a lounge chair, allowing for all kinds of seating positions in any cosy setting imaginable. A lot of work has gone into ensuring the utmost comfort, from the seat to the upholstery. Respecting Boesen’s love of natural materials, the legs of the chair have been crafted in oak or walnut. The result is an endearing lounge chair that beckons you to stay.
–
Bestillingsvare! Ta kontakt med butikken for leveringstid.
In a desire to design a table that blends into a space without taking up much space, Sami Kallio created the In Between Table. A partner to his In Between Chair, the legs of the table echo the same angle as the front legs of the chair. At the same time, the table’s slim silhouette and absence of ornamentation make it an ideal match for any chair – in any setting.
The In Between Table is a mix of traditional wood craftsmanship, involving compression moulding and woodturning, together with innovative veneer techniques. As such, it is an homage to Kallio’s Nordic heritage and training in woodmaking, as well as his modern, Scandinavian sense of simplicity.
As part of his “Between Gaps” series, Kallio set out to explore the correlation between an object and its surrounds. Exploring the interplay between positive and negative space. “My concept started from the outside inwards,” explains Kallio. “The table has no negative spaces, but it can be paired with any chair, in any timeframe in any space.”
“Kallio’s In Between Table is a stunning example of impeccable hand craftsmanship with natural materials, which we are proud to reflect in our stable of products,” says &tradition Brand Manager Martin Kornbek Hansen. “Kallio’s blending of both classic and contemporary techniques is something we truly value at &tradition. Along with his uncanny ability to design an object so simple, it exudes beauty.”
Clear lacquered oak, Smoked oiled oak, Black stained oak.
Technical specs
The In Between table is tested for strength, durability and safety according to EN 15373 Level 2 – General contract use
Weight (kg)
47kg
Production
The table top is made from a high quality MDF board with oak veneer on the top and edges. The legs ard made of solid wood involving a woodturning technique using a lathe to create the conical shape. Wood blocks are used to attach the legs to the table to make it morestable when mounted.
Environment
Indoor
Product type
Dining tables
Bestillingsvare! Ta kontakt med butikken for leveringstid.
The Flower Power movement was all about peace, love and harmony, driven by a generation who questioned rigid values in favour of personal freedom. Amidst missions to the moon and alternative lifestyles emerged a fascination with the future. Verner Panton captured the spirit of this era with his Flowerpot lamps. Two semi-circular spheres facing each other became the signature style for a series of lamps that went on to decorate private homes, interiors and exhibitions around the world. In a variety of psychedelic colours, patterns and combinations that became emblematic of the Flower Power movement. Panton was a pioneer in his avant-garde approach to geometric designs, vivid colours and immersive interiors. We’re pleased to keep his legacy alive with lamps that honour his vision of the future – in the present.
Materials Lacquered aluminium with 3 meter fabric cord.
Dimensions (cm/in) Ø: 50cm/19.7in, H: 36cm/14.2in
Omtaler
Det er ingen omtaler ennå.